Online edition of India's National Newspaper
Tuesday, Jun 22, 2004

About Us
Contact Us
Metro Plus
Published on Mondays, Tuesdays, Wednesdays, Thursdays & Saturdays

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |

Metro Plus    Bangalore    Chennai    Hyderabad   

Printer Friendly Page Send this Article to a Friend

Classy and graceful

Contrary to her demeanour, Waheeda Rehman plays a pretentious grandmother in `Brides Wanted'


SHYNESS, THEY say, has an element of narcissism, but a tête-à-tête with Waheeda Rehman refutes the allegation. In her case, it emerges as a quality to reckon with, a trait that still mesmerises the likes of an otherwise sober and academically inclined actor-playwright Girish Karnad and a young and composed director Girish Acharya.

Her shyness is a strength to build on, not a character flaw to be stamped out. It was proved when Acharya preferred her over what he calls "other yesteryear, graceful actresses" to play Dadima in his film Brides Wanted.

Compliments embarrass her, she reveals. "During the making of Chaudhvin Ka Chand, my co-actors used to tease me saying I was a perfect choice for this title. Now at this age, when anchors in radio programmes introduce me with lots of compliments, I feel so embarrassed," says Waheeda, coyness writ large on her beautiful face that now shows signs of age.

Not a grandmother in real life, Waheeda Rehman accepted the role because "the subject was different and interesting; just opposite of what I am."

The character of Dadima is very fond of colourful designer saris and jewellery, loves to flaunt them. She identifies herself with characters in "saas bahu" soaps and fondly talks of them to her husband who is far away from these things. "Initially I thought, how will I execute the role of a woman just opposite to me, but it turned out to be fun," recalls Waheeda.


That Waheeda Rehman is made of strong stuff can be seen from her coming back into films after her husband, producer Kamaljeet, died a few years ago. She had also started a breakfast cereal business. "Yes, I planned to launch them. But after I lost my husband, it became difficult for me to manage that huge production alone. I started incurring losses. Now I have decided to sell it," she recounts. But she has something more constructive to fall back on, the NGO Pratham — the very mention of which brings a glint to her kohl-rimmed eyes.

"The NGO works for the education of slum children. To raise funds for which I travel a lot, especially to the U.S." In the U.S. she got to know of Americans' tastes in Indian films, especially family-oriented ones.

"I was happy to see that Americans have a fondness for Indian music and films that have family as an anchor. They encourage their children to watch these films."

Whereas on the one hand she cheerfully mentions Dilwale Dulhania Le Jayenge, Deewar, and Umrao Jaan as her favourite films, on the other she believes that films made for the masses usually do not bring good results. "Jo khana aap dus logon ke liye banate hain voh usually achcha nahin hota. Jitna kam, utna accha. Large quantity of films often mars their quality."

About to leave, Waheeda runs into Girish Karnad. To his gallant, "Oh beautiful lady, aap kab aayin?" comes a bashful, "Abhi bas... "As he gives her a peck on the forehead, coyness cloaks her in irresistible hues.

RANA SIDDIQUI

Printer friendly page  
Send this article to Friends by E-Mail

Metro Plus    Bangalore    Chennai    Hyderabad   

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education Plus | Book Review | Business | SciTech | Entertainment | Young World | Property Plus | Quest | Folio |


The Hindu Group: Home | About Us | Copyright | Archives | Contacts | Subscription
Group Sites: The Hindu | Business Line | The Sportstar | Frontline | The Hindu eBooks | Home |

Comments to : thehindu@vsnl.com   Copyright © 2004, The Hindu
Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu