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Awesome Austen artistry
PREMA SRINIVASAN
There has been a revival of interest in Victorian novelists among
aspiring researchers and as an off-shoot of this academic
interest there has been wide spread enthusiasm about
rediscovering novelists of the late 18th Century, through the
visual media. The film version of Pride and Prejudice, Emma and
Sense and Sensibility, celebrated classics of Jane Austen (1775-
1817) have been immensely popular not just with the older
generation but also with the channel flicking MTV generation.
The television serial of the novel Pride and Prejudice brought
the entire family into their living rooms to follow the fortunes
of the Bennet girls, to rejoice and bemoan according to the
episodes dramatised. Emma Thompson as Marainne Dashwood became a
memorable screen presence and sent hundreds of viewers in search
of a copy of "Sense and Sensibility".
Jane Austen wrote her novels in the Romantic period (1799-1830)
but was not a direct inheritor of the spirit of her age. On the
other hand she is said to have been a literary descendant of
Addison, Goldsmith and Miss Burney. Unlike Mrs. Radcliffe who
wrote spine chilling Gothic novels, Jane Austen chose to write
about a subject she was familiar with - love and marriage in a
secluded community. Daughter of a Hampshire rector, she was a
sensitive observer of the people around her, their foibles and
affections, their affairs of the heart, their distress and
triumphs. These countryfolk peopled her novels and she used them
with a restrained sense of comedy but with a perfect sense of
understanding. She was not a writer with a mission like Dickens,
writing with a sense of outrage. She was amused with the limited
landscape around her and she was content to portray that life
with a high degree of realism. This portrayal acquired a
timelessness by the nature of the subject and the keen witty
dialogue and observations of the author. What the readers found
in her was a highly finished piece of writing often referred to
as "Two inch piece of ivory."
To be sure this author was not prolific in her output. She was
her quizzical best in her first novel Pride and Prejudice (1797)
and became more serious and analytical in her subsequent novels
like Sense and Sensibility, Persuasion, Emma, and Mansfield Park.
In Northanger Abbey she had a field day making fun of the gothic
tradition of novelists particularly Mrs. Radcliffe. She was
untroubled by the mood swings of the Romanticists and carried on
her writing unmindful of fashion and contemporary trends.During
the course of this fairly simple story we have hilarious
diversions or subplots which add spice to the narrative scheme.
Who could ever forget the pompous Mr. Collins who presumptuously
proposes to Elizabeth? When he is turned down by Elizabeth, the
mother is highly perturbed and requests Mr. Bennet to intercede
in favour of the suit. But Mr. Bennet's advice to Eliza is one of
the most humorous lines of the novel. Mrs. Bennet aghast that her
daughter has turned down a highly suitable proposal threatens
never to see her again. But Mr. Bennet in his cool mocking way
declares "An unhappy alternative is before you, Elizabeth. From
this day you must be a stranger to one of your parents. Your
mother will never see you again if you do not marry Mr. Collins
and I will never see you again if you do". Like Elizabeth who
could not but smile at such a conclusion for such a beginning we
too are diverted by the manner in which the Collins episode is
handled by this author who is an expert in her knowledge of human
vagaries.
The plot is simple and conventional. Mr. and Mrs. Bennet blessed
with five daughters live in Longbourn. "Genteel" by birth Mr.
Bennet was a mixture of sarcastic humour, reserve and caprice;
while Mrs. Bennet was a woman of "mean understanding, little
information and uncertain temper... The business of her life was
to get her daughters married, its solace was visiting and news".
Jane, the first daughter is beautiful, blessed with good temper
and cheerfulness of manner while Elizabeth, the second daughter,
and the real heroine of the book is more spirited, intelligent
and attractive with a pair of flashing black eyes. The Bennet
girls are constantly reminded of the fact by their mother, that
contracting a good marriage is the be-all and end-all of life and
the plot revolves round this theme. Accordingly every eligible
male is a potential suitor and this gives rise to hilarious as
well as emotionally charged incidents. When the novel comes to an
end we along with Mrs. Bennet are extremely gratified that both
Jane and Elizabeth, the two most deserving daughters of the
Bennet family are married according to their heart's desire. It
is Mrs. Bennet's characteristic comment when she hears of Lizzy's
engagement to Darcy, which lingers with the reader when all the
knots are tied "Oh my sweetest Lizzy! How rich and great you will
be! What pinmoney, what jewels, what carriages you will have!
Jane's nothing to it-nothing at all! three daughters married! Ten
thousand a year! O Lord... I shall go distracted". The over
worked theme of love and marriage is so well drawn and with so
much finesse by Jane Austen that readers across continents and
centuries, continue to be swept along by the sheer interest in
the narrative.
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