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Hymn expounding the nature of the Self
CHENNAI, JULY 11. Among the disciples of Adi Sankara, Hastamalaka
is unique in that his preceptor made an exception by writing a
commentary on the hymn he composed. This attests to not only his
scholarship but also his spiritual stature. The traditional
account given in Sankara Vijayam also endorses the merit of this
disciple even at the first meeting of the Guru and the disciple.
Right from his birth, Hastamalaka remained mute and the parents
were naturally worried about their son's condition. When they
heard about Sankara's visit they took him along with the fond
hope that he would start speaking by the grace of the saint.
It was Providence that willed that the disciple should speak at
the behest of his preceptor in reply to his question ``Who are
you?'' The boy who prostrated before the saint did not get up and
when Sankara lifted him, Hastamalaka broke into exquisite verse
at once highly philosophical in import. The reply took the form
of a hymn in 12 verses and it became apparent to Sankara that he
was a Self-realised soul who had out of choice remained dumb
since birth as he did not want to engage in worldly matters. The
saint immediately accepted him as his disciple and named him
Hastamalaka, indicating that his spiritual stature was apparent
as clearly as a gooseberry fruit on one's palm. Though the
parents were overjoyed that he could speak, to their dismay he
did not show interest in secular matters and hence they entrusted
him to Sankara.
In his introductory discourse on the Hastamalakeeyam, Sri K.
Srinivasan said that this hymn was in the form of an exposition
of the essential nature of ``I'' (the Self). Instead of
identifying himself with his individual personality, Hastamalaka
described the blissful nature of the Self (Atman), when Sankara
questioned his identity, adding that all characteristics arose
from the Self. The merit of this hymn can be gauged from the fact
that a preceptor of Sankara's stature chose to write a commentary
on it.
Sankara was a prolific writer whose writings encompassed all the
major genres of philosophical and devotional literature. He wrote
extensive commentaries on the Brahmasutra, Upanishads and the
Bhagavad Gita and also condensed versions of his commentaries for
the benefit of future generations which would not have the
rigorous scholarship necessary to study his elaborate works.
Besides, he wrote independent works expounding the tenets of
Advaita philosophy and also many hymns in praise of the different
deities.
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