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A writer from elsewhere
JIM FARRELL wanted to write a big book. This was after his early
published work - A Man From Elsewhere, A Girl in the Head -
gained him admiration, but not a vast readership, and a
reputation as a comer but neither the huge advances from
publishers nor the kind of fame he hungered for. Casting around
for a subject that would be his War and Peace he first considered
writing about de Gaulle or alternatively, a book based in Mexico.
Then he was gripped by the idea of writing a great Indian novel,
based on the "1857 Mutiny", that empathising with the colonised
(i.e us) to an extent never attempted before. Farrell had an
interesting way of working. Assembling the facts and structure of
his novels from secondary sources, he would visit the place he
had written about after the book was done to confirm what he had
imagined. He followed the same procedure for his India book,
travelling to India once it was more or less mapped out. The
subcontinent came as a considerable shock.
He wandered through Bombay, Jaipur, Agra, Dehra Dun, Hardwar,
Mussoorie and finally arrived in Lucknow where he found the
"once-imposing Residency heralded by evil-smelling drains". After
Lucknow, it was Calcutta, Kathmandu, Patna, Khajuraho, and then
home to England. He confessed to friends that he had failed to
arrive at any real understanding of India. A couple of years
after the Booker Prize winning The Siege of Krishnapur was
published, Farrell said to Harry Keating, the author of the
Inspector Ghote books that he had been to India but wished he had
not. "I had a firmer idea of what India was about," he explained
in his careful way, "before I went."
The above anecdote is one of many to be found in Lavinia
Greacen's fascinating biography, J. G. Farrell: The Making of a
Writer (Bloomsbury). I picked the book off a shelf at random,
having no real intention of reading it (I had read The Siege of
Krishnapur too long ago to remember any of it and had not
encountered The Singapore Grip, his other important novel), but
after glancing through a few pages I was firmly hooked and read
the biography at one sitting. As one of the book's reviewers
suggests, read this book first, then read Farrell's Empire
trilogy, it is bound to be a rewarding experience.
Jim Farrell died young, at age 44, lost at sea during a storm,
while out fishing. There is no telling what heights he might have
scaled in his literary career had he lived, but on the evidence
of what he left behind he might well have come to be regarded as
one of the greatest writers of his time. But more than the
author's description of his efforts to hone his craft, rewarding
though these are, what I found gripping was her reconstruction of
his life.
J.G. Farrell was as complex, neurotic and obsessive as any writer
who has ever lived. Adding to his angst was the fact that he had
been a robust athletic sort at school before he was struck down
by polio. His experience of illness cast a long shadow, and
informed much of his early writing. He was also a loner who
avoided forming any lasting stable relationships.
Good-looking and enigmatic he romanced a host of stunning women
but refused to be landed by any of them. As one of his
contemporaries mused, "The memorial service was full of the best-
looking women in publishing".
Greacen's ability to reconstruct Farrell's life compellingly
should surely win the novelist a whole new generation of
admirers. This is one writer who will not be forgotten in a
hurry.
DAVID DAVIDAR
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