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Photo exhibition on Jainism
Depicting the evolution of an over 2,500-year-old heritage
through pictures is not an easy task. Yet, when 73-year-old
Virendra Prabhakar set out from home a year ago to capture
Jainism in photo-frames, he was armed with just two things -- his
camera and a desire to enlighten the youth about Jainism.
And after 12 months of rigorous travel through lush forests and
farmlands and deserts, Prabhakar has now come out with an
enviable collection of pictures and memories. Coinciding with the
2,600th birth anniversary of the Tirthankara Mahavira, he hopes
that his exhibition of the 150-odd photos will, indeed, spread
the message of Jainism.
Inaugurated on Monday by the Union Minister of Information and
Broadcasting, Ms. Sushma Swaraj, the exhibition ``Jain Heritage''
currently on at the All India Fine Arts and Crafts Society has
attempted to cover important Jain manuscripts, shrines,
scriptures, inscriptions and other images. ``Through 155 works
that I have exhibited here, I have tried to cover all the
important places and events. The idea is to be able to show the
evolution of Jainism in India,'' says Prabhakar.
A Jain, Prabhakar says the decision to cover Jain heritage
through the lens was taken long back, but it took him some time
to complete the required research. The exhibition covers Andhra
Pradesh, Bihar, Delhi, Gujarat, Haryana, Karnataka, Madhya
Pradesh, Maharashtra, Orissa, Rajasthan, Tamil Nadu, Uttar
Pradesh and West Bengal.
``I am not trying to preach Jainism here, but introduce a chapter
that not many know about,'' remarks Prabhakar. From the exotic
Jain temples of Rajasthan to the Meguti temple in Ellora,
Parasnath temple to the Vardhamana temple at Tiruppurattikuram in
Tamil Nadu, the exhibition has managed to bring together a rare
collection of heritage wonders.
Born in a conservative Jain family of Uttar Pradesh, Prabakhar's
first brush with sculpture and photography was at the Doon School
at Dehra Dun. This was followed by a training in painting at
Chitrashala, Mussoorie. And for someone who has been named the
country's longest serving photo-journalist, spending a year on a
single topic was not really difficult.
The job, of course, was not easy either as Prabhakar had
imagined. Getting permission to shoot in Jain temples was just
one of the hurdles he faced. ``Although most Jain temples don't
allow photography inside, after a bit of convincing, I managed to
get the authorities to allow me in. Being a Jain helped,''
concedes Prabhakar, adding in the same breath that he, however,
was not all that religious.
By Lakshmi Balakrishnan
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