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A world like ours
COMPARISONS are odious. In the world of books, as one reads, it
becomes inevitable that they occur, from time to time ... words
and sentences that describe events and people as they are. And
yet, there are so few differences that one is startled to find a
society that could be a mirror image of ours. Here is one such
world.
Enter Darashikoh Shezad. His life seems to begin at the end. As
one tumbles through the events of his life, one can almost nod in
sympathy and say; "Ah yes, I know what it feels like." Shezad's
theory about the Suzukis pitted against the Pajeros and the
immense importance of airconditioning in a money-driven society
makes you want to nod - "yes, yes." But it could be different
when you find Shezad and his first encounter with heroin, even as
you look on, sometimes in disgust and at other times in
wonderment and curiosity, at the asinine behaviour of a man
doomed.
Everything comes apart the day Shezad is sacked from his secure
bank job. Despite his protests, he is summarily dismissed before
an important and miffed client. Things get more difficult for him
when his electricity is cut off and bills keep mounting. At this
juncture good friend Ozi - short for Aurungzeb - with his pretty
wife, Mumtaz, introduces Shazad to life in Lahore. Secure behind
their high compounds and awesome security guards here is a class
of people whose feet never seem to touch the ground. There is
fame, there is money and boredom.
Life is then an endless chain of cigarettes packed with hashish.
And then wanting Mumtaz. Mumtaz, unfortunately, is a little more
complex than your average beauty. By day she is wife to Ozi,
mother to son Muazzam, with whom she shares a complex
relationship lover to Shezad. And then under the cover of
darkness, Mumtaz becomes Zulfikar Manto, a famous reporter who
manages to stage some of the most fantastic coups in the media
world.
Meanwhile, Lahore bakes in the sun . The absence of power, the
airconditioning and money is too much for Shezad to bear,
considering the fact that he lost his mother to maybe all the
three.
He resolves to take corrective steps. His desperation leads him
to Murad Badshah, an old chum and contact man. Murad has the best
hashish in town and Shezad does not mind selling a bit of it on
the side just to keep things going. After all, there are no jobs
without the right connections and how much can he borrow from the
family? While the steady supply keeps him going, financially and
emotionally, Shezad gets ensnared; heroin is a fatal attraction.
The country's economy takes a beating. So does Shezad. Its then a
life of crime with Badshah. Their plan is to attack the boutiques
where rich women shop. "You could walk into any of these places
without arousing any suspicion," says Badshah to Shezad. "My
mechanics cannot."
They set out to commit what they plan as a perfectly simple
crime. But the deed that finally ensnares Shezad was done long
ago, and by Ozi. He is the witness to Ozi's Pajero knocking down
a little boy and then driving off. The chill sets in their
relationship but Ozi finds Shezad's silence comforting.
Shezad finds his world slipping away. Soon there is just him, the
heroin and Mumtaz.
Finally, he loses her too, the day he tries to stake his claim on
her. Terrified of another commitment, she backs away leaving him
angry and rebellious.
This is Pakistan's contemporary young society. Not very much
unlike ours. The rules differ, depending on the make of your car.
Ozi justifies the expensive Pajero he owns to the terrible state
of the roads in the country. Shezad cringes each time his
ordinary Suzuki manages to park next to a monster at a social-do
and Badshah, is content to drive his scooterette. All three are
symbols and victims of their social burden.
Author Mohsin Hamid draws and etches his characters with enviable
skill. But then in this interplay, mocking subtely at life in
Pakistan and interweaving a social and political commentary, only
the best can survive. And Hamid has made all his characters
survive.
S.B.
Moth Smoke, Mohsin Hamid, Penguin, Rs. 250.
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