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Moving portrait of Bharathi
FILM DIRECTOR G. Rajashekharan, I.A.S., has embarked on what is
perceived to be his magnum opus; a full length Tamil feature film
on the life and time of the revolutionary, Mahakavi Subramanya
Bharathi. For one thing, it is the first time ever that a film is
being made on the reformist and it is fitting that someone like
Rajashekharan has dedicated himself to the demanding task of
doing justice to the legend called Bharathi.
Rajashekharan has devoted more than three years in researching
the archives and painstakingly collecting little known details to
embellish the character of Subramanya Bharathi. "My overriding
ambition has been to bring out all facets of Bharathi to the
masses so that his message is understood. Many of his
revolutionary ideas and initiatives of the early 1900s are
extremely valid today - on social reform, on ecology and
environment and, the stark, pure simplicity of his poems and
prose," declared Rajashekharan in a chat.
It is incredibly sad that Bharathi's health, never too good,
plucked him away at the young age of 39. The film "Bharathi",
produced by the Pentafour Group's Media Dreams Pvt Ltd.,
commences with Bharathi as a toddler in Ettaiyapuram, and the
early death of his father who had lofty dreams of industrialising
the area (Bharathi's mother had died even earlier). Bharathi then
went to Kashi (Varanasi), where he was supported by his uncle.
Bharathi received invaluable education at Kashi and became adept
in Hindi, Sanskrit and even French while his innate talent for
linguistics only enabled complete mastery over his mother tongue
Tamil.
Interestingly, Bharathi's felicity over French facilitated him to
settle down in Pondicherry for more than a decade (the longest
stay of his life anywhere). When the British were gunning for
Bharathi over his explosive writings in his journal, he was
effectively thumbing his nose at them across the border since
Pondicherry was a French settlement. Immediately after World War
I, the French and British grew closer and Bharathi was briefly
jailed for his 'indiscretions'.
The film deals with the tremendous suffering that Bharathi had to
face in his poignantly brief lifetime. Director Rajashekharan
pointed out that there are misconceptions about Bharathi's death.
Most people think that his death resulted from mortal injuries
suffered by him when an elephant literally picked him up with its
trunk and flung him in the air.
In the past, Bharathi had always fed the elephant and on the day
of the incident, he had been trying to offer a banana to the
tusker! So much for elephantine memory and Rajashekharan insisted
that Bharathi's death took place significantly after this and
that it was from other clinical factors.
Coming back to the movie "Bharathi", the cast and the people
behind it are impeccable. The leading roles are by Sayaji Shinde
(as Bharathi), Devyani (Bharathi's wife) and yesteryear Tamil
hero Srikanth (Bharathi's uncle).
Filmed on location at Ettaiyapuram, Varanasi and Pondicherry, the
film is slated for release on August 15, 2000 (appropriately).
Ilaiyaraja is directing the music and it will be interesting to
see whether Rajkumar (Bharathi's grandson in real life) sings for
the film. The cinematography is being handled by Thangar Bachan
(of "Kaadhal Kottai" fame). P. Krishnamurthy is the art director
and editing is by B. Lenin.
Rajashekharan belongs to the 1983 batch of I.A.S. (Kerala cadre)
and has served as Deputy Collector of Thrissur, MD of Kerala
State Film Development Corporation and, more recently as the
chief of the Film Censor Board here. Rajashekharan's obsession
with movies traces back to his younger days when he had seen
every single Tamil movie made.
Rajashekharan's earlier feature film "Mogha Mul," starring
Archana Joglekar, won the National Award for the best film by a
debutant director.
Another award winning effort of his (National Panorama) was the
30 minute film, "Oru Kan Oru Paarvai" featuring Delhi Ganesh and
Thalai Vaasal Vijay. And now, "Bharathi" promises to bring his
everlasting fulfilment for his script and direction and for
spreading the message of Subramanya Bharathi which has never been
more relevant than the troubled times we live in.
M. SRINATH NARAYAN
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