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Navratilova, the toast
THE SENSE of occasion demanded something quite extraordinary - an
appropriately epic victory against her greatest rival, Steffi
Graf, perhaps - but, just as the Centre Court crowds could never
quite bring themselves to love her, when the gods finally decided
to bestow sporting immortality upon Martina Navratilova, they did
so almost grudgingly.
Navratilova's record ninth Wimbledon singles title in the summer
of 1990 should have been the stuff of legend; instead, with most
of the planet otherwise preoccupied with football's World Cup
finals in Italy, the moment of her ultimate triumph proved
somewhat anti-climatic. The record books indicate she defeated
American Zina Garrison 6-4, 6-1 in what was one of the least
distinguished finals of the post-war era but the manner of her
success was a matter of complete indifference to Navratilova.
``They don't put an asterisk before your name,'' she explained
with a cheeky grin, ``to say, `she won, but she didn't play very
well'.''
The greatest sportswoman of the 20th century, Navratilova did
everything she could to win the universal affection she craved;
nine Wimbledons, three Australian, two French and four U.S. Open
championships plus 150 or so assorted singles titles, more than
any other man or woman. But no matter her fabulous achievements,
she could never succeed in silencing the carpers or gain the
public's forgiveness for usurping Chris Evert, Wimbledon's
sweetheart in bangles and bracelets.
``She plays like a man,'' became the popular refrain of those who
blithely chose to overlook the fact that Navratilova did anything
but; she played in the style of Margaret Court, Maria Bueno and
Suzanne Lenglen before her, displaying complete all-court mastery
allied to the new female weapons - awesome power and athleticism.
Compared to those who would follow, such as the Williams sisters,
Mary Pierce and their bludgeoning ilk, Navratilova was peaches
and cream, but still that taunt will forever hang over her
reputation.
She plays like a man; what those people meant, of course, but
were far too cowardly to actually say, was that they believed
Navratilova behaved like a man because she had admitted to
several lesbian love affairs. Dignified, humorous and gracious,
Navratilova would never appease those who reviled her by
apologising for her sexual preferences, but she reigns supreme as
the champion of champions.
In a sport which has been tainted by the rumour of drug abuse
ever since the muscle-bound army of East German sprinters first
emerged from the `university' of Leipzig in the early 1970s,
Irena Szewinska of Poland flew over the track on a cocktail of
pure adrenalin and talent. As lean as a whippet and as fast as
the wind, she won the first of her three Olympic gold medals as
an 18-year-old member of the Polish 4 x 100 metres relay squad at
Tokyo in 1964 when she also collected silver in the 200 metres
and long jump.
After winning the 200m gold and 100m silver at Mexico City in
'68, marriage, motherhood and a prolonged ankle injury hampered
Szewinska's preparations for the 1972 Munich Games. Despite being
unable to train for over a year, however, Szewinska dragged her
body through the various heats to qualify for the 200m final in
which she added another bronze medal to her haul, finishing third
behind East German Renate Stecher and Australian Raelene Boyle.
``Irena was my idol when I was young,'' said Stecher. ``I had
read of her great competitions in Tokyo and Mexico City but I
never dreamed that one day I would be privileged to race against
her. She is the model for all sportsmen and women who aspire to
greatness at the Olympic Games.''
Irrespective of their nationality, Szewinska never hesitated to
offer her fellow sprinters advice or encouragement, thereby
becoming known to all as `The Queen of the Track'. As her 30th
birthday and the 1976 Montreal Olympics approached, Szewinska
switched her attention to the 400m, setting a world record of
49.9 sec; even so, she entered the Olympic final as second
favourite to East German Christina Brehmer. To complete the
fairytale, she ran as never before, crossing the line 10 metres
in front of Brehmer to win a third gold medal 12 years after her
first Olympic victory in Tokyo.
I wish I had seen Mildred `Babe' Didrikson in person, for many
are those who regard her as an early day `Wilson the Super-
Athlete'; at the U.S. Olympic trials of 1932, Didrikson won the
high jump, shot putt, javelin, 80m hurdles and the then popular
`baseball throw'. Allowed to compete in only three events at the
subsequent Los Angeles Games, Didrikson won gold in the javelin
and hurdles but was relegated to the silver medal position in the
high jump because her head preceded her body over the bar. ``The
judges are crazy,'' fumed Didrikson. ``That's the way I jumped
throughout the whole competition, so if my last jump was illegal,
so was my first.''
As her prowess at track and field began to wane, Didrikson
(``Before I was even in my teens, my goal was to be the greatest
athlete who ever lived'') took up golf, turning professional in
1947 after becoming the first American to win Britain's Amateur
Championship. Under her married name of Zaharias, she went on to
amass six `majors', including the U.S. Women's Open in 1948, 1950
and 1954. A member of the all-America women's basketball team, an
international class 10-pin bowler and a demon on the softball
diamond, Didrikson once disqualified herself from an important
golf tournament she happened to be winning after playing the
wrong ball out of the rough. ``But no-one would have known,''
remarked a spectator. ``I'd have known,'' came her famous reply.
``You have to play by the rules of golf just as you have to live
by the rules of life. There ain't any other way.''
Fast-talking and fast-living, brashly confident and fiercely
independent (she was a prototype `women's-libber'), Australian
Dawn Fraser upset as many people with her outrageous behaviour as
she thrilled with her exploits in the pool. The only swimmer to
have won three gold medals in the same individual event (the 100m
at Melbourne 1956, Rome 1960 and Tokyo 1964), Fraser was the idol
of all Australia when she was selected to carry her national flag
at the opening ceremony in Tokyo. Alas, her fall from grace was
almost as quick as her world record time of 58.9 secs; to
celebrate her third individual gold, Fraser led a group of team-
mates on an attack of the Emperor's Palace, removing a Japanese
flag from the roof as a souvenir.
Although the vast majority of Aussies dismissed this perceived
insult as a harmless prank, Fraser was banned for 10 years as
punishment for humiliating the emperor (a suspension subsequently
reduced to four years) but at the age of 27, her illustrious
career was effectively terminated. Informed that her world mark
of 58.9 would have beaten Johnny Weissmuller into second place in
the 1924 men's 100m Olympic final, Fraser replied coolly: ``I
have always hated the easy assumption that girls had to be slower
than boys.''
Long before television could bestow spurious celebrity upon quiz
game hosts and teenage pop singers, Suzanne Lenglen was a star;
as glamorous, regal and mysterious as Garbo.
As balletic as Bueno, as iron-willed as Borg, Lenglen won
Wimbledon from 1919-1923 and in 1925, remaining unbeaten anywhere
in the world from the age of 14, although her retirement due to
illness when trailing American Molla Mallory in the 1921 U.S.
Championship final aroused heated debate on newspaper front pages
across the world.
I decided the `minor' placings as follows: Nadia Comaneci, for
taking gymnastics on to new levels of excellence. Fanny Blankers-
Koen, who would have been a world-beater in any generation into
which she had been born. Steffi Graf, a gloriously athletic sight
to behold. Wilma Rudolph, who overcame illness and abject poverty
to become one of the greatest Olympians of them all. And last,
but certainly not least, Billie Jean King, without whom women's
tennis would never have been transformed into a multi- million
dollar entertainment industry.
- Copyright Telegraph Group Ltd. London, 1999
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